PLAY, like breathing, is an essential need of every human being. The play represents a continuous DEVELOPMENT.

THEATRE GAME is the art of the present - because the game requires presence - and allows continuous rediscovering of life through the present empirical framework.

THEATRE is not and it should not be a privilege of theatre institutions only and professional troupes, but a research and creative expression tool of every individual or a group for the purpose of personal development and social engagement.

IMPROVISATION is LIFE. Playful, unpredictable. There are no mistakes in it - but rather moments in which one constantly learns, grows. Fear of the unknown becomes a creative challenge. Cooperation and focus on another being triumph over competition and egocentricity. One should only want - dare - change.

Theatre is a DIALOGUE. The dialogue of all those being part of a theatrical event. Participants and spectators and social community alike... In order to achieve this, theatre should be free of institutions, box scene, repertoire policy, backstage manoeuvering...

Every BIT OF LIFE is valuable and relevant enough to be used as a drama template for a stage, and every man is free and capable of conveying an emotion, message, beauty, struggle by using dramatic tools...

Between the social bottom and the social top, between repression on one side and cultural and artistic elite on the other, we demand FREEDOM FOR PLAY AND THEATRE FOR ALL PEOPLE

You do not have to go to the THEATRE, you can MAKE one your one

Young directors, playwrights, actors - stop loitering in theatre lobbies and cafes waiting for your chance to play and act. Wherever there are people, wherever life is, there is a CHANCE FOR THEATRE, more thrilling and true, crueler and gentler than any drama. Psychologists, pedagogues, social workers, teachers and all of you who did not give up on people and think that you can improve the existing practice by introducing new techniques - embark into APPLIED THEATRE.

The mission of APSART is for the applied theatre to become a recognized and widely accepted practice, at least as much as it is the case in other countries worldwide in working with various social groups.

Our Aristotles of the new age are Augusto Boal, Keith Johnstone, prof. James Thоmpson, Dorothy Heathcote, Viola Spolin, Sue Jannings, Chris Johnston, Geese Theatre, Jacques Lecoq and many other industrious theatre missionaries belonging to various walks of life

And finally, i.e. primarily, all this is for the sake of humanity, love and Truth.